196 The Meadow Rhino, Salamander, and Valparaiso Poetry Review, among other journals. Hadaway has received fellowships from the Virginia Center for Creative Arts and from the Maryland State Arts Council and multiple Pushcart nominations. Max Heinegg’s poems have been nominated for Best of the Net, and The Pushcart Prize. He’s been a finalist for the poetry prizes of Crab Creek Review, December Magazine, Cultural Weekly, Cutthroat, Rougarou, Asheville Poetry Review, the Nazim Hikmet prize, and Twyckenham Notes. Recent work appears in Thrush, Nimrod, The Cortland Review, and Love’s Executive Order. Sierra Hernandez is pursuing her degree in science at Truckee Meadows Community College and pulls inspiration for her poetry from the life she has led, and the circumstances that have brought her where she stands today. Lori A. Howe is the author of the poetry collections Cloudshade (Sastrugi, 2015) and Voices at Twilight (Satrugi, 2016). Her phenomenological research appears in journals such as The Journal of Poetry Therapy and Qualitative Inquiry. She is a co-creator of the new poetic form, the cadralor, and EIC of GLEAM: Journal of the Cadralor. She lives in Laramie, Wyoming, where she is a professor in the Honors College at the University of Wyoming. Emily Hyland’s poetry has appeared in Apple Valley Review, The Brooklyn Review, Mount Hope Magazine, and The Virginia Normal, among others. She received her M.F.A. in poetry and her M.A. in English education from Brooklyn College. Her cookbook, Emily: The Cookbook, was published by Ballantine Books in 2018. Jessie Janeshek’s full-length collections are MADCAP (Stalking Horse Press, 2019), The Shaky Phase (Stalking Horse Press, 2017), and Invisible Mink (Iris Press, 2010). Her chapbooks include Spanish Donkey/
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