The Meadow Annual Literary Arts Journal 2021

The Meadow 41 my most powerful attributes—and because all our first names evoke flowering plants. My services are used only in the worst cases. “Exterminating Angel” is trademarked, and I am one of only two women who bear the title on her SafeGuard business card that requires a special light to read. But lately I have a problem. The problem is my rage. A bit of it has sloughed away each year of the past ten years as I enact my own thwarted revenge for others’ trauma. Each trigger pulled, each monster ended, and I insubstantiate a little bit more, grow less human, less visible even to myself. You are disappearing, I hear more often than not now, at the very moment I feel the bullet spring, joyous, from the muzzle. It’s a child’s voice echoing up through the rage, eerie with truth. It is my voice, perhaps, from a happier time: That afternoon with my mother out past the city limits, the sun shining through her hair, a little butterfly net tied to her belt for me to catch insects for my jar. My hand brushed the tops of the wheat, other hand in hers. She sang a sad song, most of the words of which she’d forgotten. She hummed, sang, hummed again. I was mesmerized by her voice. A little grove of trees across the field toward which we walked. I don’t remember getting there, or leaving that place. Soon you will be gone. The child’s voice frightens me. I feel something stalking me through the hate. Something wants to find me out. I hide in my anger, but it is becoming hard to stay concealed. So little anger left. Twenty years ago, Juniper found me on the landing of our apartment complex. I was fourteen. I’d finally killed my father. I’d been a prey animal for years, my insides honed with reflex. Invisibility was survival. My heart was a cataract in my chest, all frosted over. I stood motionless, stunned, staring at my bloody hands. I could feel blood on my face and in my hair.

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