The Meadow Literary and Art Journal 2011

American Dating Scene: $1 Menu by Micheal Dubon Man with faux-hawk & muscle shirt and woman, bleached blonde wearing a Britney T, walk into the restaurant, grease floating in the air, glancing at each other nervously and imagining future power plays. Neither knows who should pay, only a few dollars of effort to put in on both sides, the taxing, an afterthought. McChickens hide their affections, artificial, in plastic like the spoils of dipping sauces they ask for after ordering; the rancid ranch she coats her breath with and the sticky honey mustard he gets glued to his fingers. As they sit and eat in the hard yellow seats, he asks, “How’s your double cheeseburger?” “It tastes like the oily sex that will be the basis of our relationship,” she says with a piece of bun falling out of her mouth. “I forgot to buy fries,” he leaves her for a moment to her thoughts. He’s gonna leave me here, just like in the future and I’ll act like a bitch because that’s simply part of the wrapping that covers intimacy. He returns, and she intentionally cries. She grabs a fry and dresses it in her tear. He grabs a plastic knife, gives himself a tiny cut and dips a fry in the blood. They lift the potato strips in their hands towards the other’s mouth. “The ketchup I’ll bleed for you,” he says. “The saline I’ll cry for you,” she says, as they place them on one another’s tongues. The dance of liquid salt and copper tomato, coating fries that get lodged in the throat of the courter and courted, leaving them with only choked and misinterpreted messages to escape through their apple-pie-holes. They depart hand-in-hand, looking back at where they’ll be tomorrow, going home to deep-fry another, knowing there’s never nuggets of advice offered in this scene, just all-fake-white-meat, empty calories. theMeadow 49

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